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The Occupy with Art blog provides updates on projects in progress, opinion articles about art-related issues and OWS, useful tools built by artists for the movement, new features on the website, and requests for assistance. To submit a post, contact us at occupationalartschool(at)gmail(dot)com .

Entries in Arts Funders (2)

Thursday
Jan122012

Art Is My Occupation Launches!

 

ABOUT [From the AMO website (click image to visit)]

WHAT WE DO
Artismyoccupation.org (AMO) offers direct support to artists and cultural workers dedicated to advancing the stories, struggles and ideas of the 99%. Directly engaged with occupy and other grassroots movements, AMO provides support to cultural workers who seek to impact the national conversation on the Economy, including production grants, distribution, and PR support. AMO aims to support artists across a diverse spectrum of artforms, from visual art to music to public interventions to videos to street theatre and more, while creating a national network of artists focused on exposing the real costs of the current crisis and envisioning a future that puts people before profits.

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Saturday
Dec032011

Creative Folly: The Illusory Support of Artists by American Arts Organizations & Funders 

by Lisa A. Miles

A decade ago, I published a book about a woman artist and her work, and the role of that work in  both larger American society and the art world.  Another one formally begins here, to expose the lunacy that underlies American arts organizations and funders’ support for the individual artist, and to propose alternatives far more sane, just, creative and in fact do-able.   
 
My biography of Esther Phillips, This Fantastic Struggle, was explicitly a cultural essay, as well, on the struggle that all artists face in trying to make a living, and thus deriding (appropriately) the little-respect society has for creative workers.  This current work tackles in-depth the illusory support by the American arts establishment, which is supposed to be championing the artist’s cause.  It is a required critical look at its means of supporting (or not) those that aim to make a substantive creative contribution to society, informed by my own longstanding work as a creative artist, but also many, many others working similarly.

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