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The Occupy with Art blog provides updates on projects in progress, opinion articles about art-related issues and OWS, useful tools built by artists for the movement, new features on the website, and requests for assistance. To submit a post, contact us at occupationalartschool(at)gmail(dot)com .

Entries by admin (551)

Tuesday
Jan102012

Mark Read [N17] + Low Lives: Occupy!

^ Watch a video of the amazing power and effect of the “Bat Signal:”

LL:O UPDATE:

Mark Read ["Bat Signal"] will be partnering with "Low Lives: Occupy!"

[More details coming soon.]

CHECK THIS: InterOccupy is hosting the "Bat Signal" source files HERE.

...Including: Tips and Instructions for guerilla projections. [PDF]

Sunday
Jan082012

MIC : CHECK (the human:mic)(OCCUPY) at Sideshow Gallery, Brooklyn

Sunday
Jan082012

Adrian Rocchio's OwA Graphics Gallery

Click on the image to visit Adrian's GA hand gesture graphics and other images he's added to our Occupy graphixicon.

Saturday
Jan072012

Occu-game

Image Resample: Paul McLean

The Soundtrack Opera Roulette (S.o.r.e. Game)

Any # of players, best with large 15+ group).

The Host grabs a play - say Baal, from B. Brecht, and with spontaneous autonomous creativity - Improv-away a scene of 1-3 pages.

After the scene is done, the Host may feel it and call in another player, or take a short break.

This is the carousel or roullete.



Image Resample: Paul McLean


Play goes on until the book is done!

[Someone film it please!]

Ale

Friday
Jan062012

Mapping the Movement

Caption: Groups as hexagons. Thinking about cells and total coverage. There are no gaps in this model, however. Also we’re conceiving a group as min 5 people right now, but pentagons are evil.

Check out this amazingly great Tumblr! Click on the image to visit Mapping the Movement!

ABOUT MTM:

We’re looking here to collectively express and advance an understanding of how individuals and groups are working together as part of the Occupy Wall Street movement.

Abstract concepts in pictures speak volumes. 

Abstract concepts in words take volumes.

Here are some of the type questions we’re looking to tackle.

  • What is a group and how do people work within them, between them, outside them?
  • What is a document?
  • How are decisions made?
  • How do decisions impact groups?
  • Um… what is a group?

We value a multiplicity of stories.

Friday
Jan062012

OWS Design: CALL FOR SUBMISSIONS —> INFOGRAPHICS!

Group logo of Design

The Occupy Wall Street Design Working Group is calling for infographics. We need some great downloadable content for the forthcoming public facing website of OWS, occupywallstreet.net. Let’s remind the public why we’re in the streets by providing them with information that is both compelling and stunningly designed.

SUBJECT MATTER:
Your choice of subject matter pertaining to OWS (for example, labor rights, the banking system, housing rights, etc.). If you’ve been involved or been paying attention, you know what this movement is about.


****Please research your facts and cite your sources!****


SIZE:
We want cool, informative graphics that are easy for anyone to download, print and distribute themselves!
That means 8.5×11. It could be full page, a half page double sided, or a tri-fold brochure.

SEND TO:
Send your finished designs to design@nycga.net as a print-ready hi-res PDF and tell us if or how you want to be attributed.

DUE DATE: JANUARY 18th

Chosen designs will be featured on occupywallstreet.net in the near future.

Some examples of infographics:

Friday
Jan062012

Wall Street to Main Street: Call for Proposals/Entries

WALL STREET TO MAIN STREET

Call for Proposals/Entries

Wall Street to Main Street is a collaborative art project linking Occupy Wall Street and the rest of America, via the small town of Catskill, NY.  The Occupy Wall Street Movement (OWS)  has focused its energy on the need for justice for the 99%. This project, Wall Street to Main Street, offers a platform for creative expression and dialogue focusing attention on an economically depressed community through inventive art exhibitions and cultural events.

Invitation to submit Proposals/Entries: Open to all artists nationally and internationally, including Hudson Valley artists.

The project goals of Wall Street to Main Street are:

  1. To explore art as a way to understand the issues of the Occupy Movement with opportunities for education, communication, and a showcase of wildly creative artistic expressions;
  2. To highlight the vanguard role of artists in this and past movements, as well as the role communities play in nurturing their vision;
  3. To model a peaceful partnership between the cultural organizations, educational institutions, protesters, artists and the citizens who make up our communities;
  4. To explore ideas in art works that call attention to real-world economic problems, fundamental democratic processes, and an urgent need for systemic reform.

People/Contacts- Presented by the Greene County Council on the Arts, this project is co-organized by Occupy With Art, an affinity group of the OWS Arts and Culture Committee, Fawn Potash (Project Director, Masters on Main Street) and Geno Rodriquez (co-founder/former Director of The Alternative Museum). Submit proposals to fawn@greenearts.org.  518-943-3400.

Exhibitions may include art work by/for/about the Occupy Movement in any media, utilizing interior space and/or windows.  A dozen vacant storefronts are anticipated with additional display area in active shop windows.  There  is no fee/rent, but interior exhibits require staffing and utility payments.  A signed agreement is required promising to return the space to its original condition.  Grant funding is pending to cover utility expenses, and a network is in process offering  local hosts with overnight accomodations and gallery sitters.   Events may include workshops, hands-on activities, forums, panel discussions, tours, performance, radio broadcasts, story telling, projections and readings, cross-pollinated subjects/genres combining political science/economics/art taking place in exhibition spaces or surrounding venues.

Photo-Documentary Exhibit Call for Entries: Curated by Geno Rodriguez, this exhibit serves as a descriptive introduction of the events of the global Occupy Movement as seen through the kaleidoscopic  lens of contemporary photographers, as well as the portal leading to the dynamic array of exhibits and events taking place down Main Street. 

Area resources: Catskill's Main Street is nestled between the Hudson River and the Catskill Creek with clear views of the Catskill Mountains at sunset.  It offers several architecturally intact 19th century facades, a vaudeville-era movie theater, two small pocket parks and a Community Center.  There is a Carnegie Library nearby, the Thomas Cole National Historic Site and a bridge leading to Hudson, NY.  Catskill is at the center of a circle of educational institutions- Columbia-Greene Community College (Hudson, NY), Vassar College (Poughkeepsie, NY), Bard College (Annandale-on-Hudson, NY), and the State Universities of New York at Albany and New Paltz .  Local radio station, WGXC 90.7-FM (WGXC.org) broadcasts from Catskill's Main Street on Wednesday afternoons and 24/7 from their Hudson and Acra studios.

Deadline for Proposals             February 1

Notification to Artists               February 7

Installations                            February 7-March 15

Opening Reception                   March 17

Project dates                           March 17 - May 31

Audiences for this project range from sophisticated, intentional viewers to curious pedestrians. In the last year, Masters on Main Street exhibitors have discovered that scale, night lighting and a descriptive statement in the window are very important features to engage this diverse crowd.

For Exhibit/Space/Event Proposals submit 1 page (max) project description and up to 10 low res jpegs with image list.  For Photo Documentary Exhibit entries, submit up to 10 low res jpegs with image list to:

Fawn Potash, Masters on Main Street, Project Director

Attn: WS2MS Space Proposal and/or WS2MS Photo-Doc Entries

Greene County Council on the Arts

398 Main Street, PO Box 463

Catskill, NY 12414

fawn@greenearts.org

 

Questions?  Call Fawn Potash, Greene County Council on the Arts 518-943-3400. 

Friday
Jan062012

Other Calls for Entries for OWS Artists

[NOTE: These two exhibit opportunities are available for Occupy artists, although neither project is OWS-specific.]

From Katherine Gressel:

Brooklyn Utopias: Park Space, Play Space

(Click the image to learn more)

http://brooklynutopias.files.wordpress.com/2011/12/jj-byrne-park-renovation-full.jpg

& from Chanel:

Hi All,

I'm not an artist, but I LOVE Art and support whenever I can.  I'm sure some of you are or have been involved with Figment since you are all so incredibly active. But just in case you are not and might want to be... Here's the info. Also I personally would love to see OWS be a huge part of Figment this year so I thought I'd throw the idea out there and see what comes out. OWS would not be as strong a force with all of you, your hard heartfelt work and creativity... So thank u!  =-)

Wishing us all an Amazingly Successful New Year!

In Solidarity,
Chanel


FIGMENT
NYC - Kickoff and Meet and Greet!

 
We're in the final stages of confirming our dates and plans for FIGMENT NYC 2012, so we have yet to make an announcement. We'll give you all the details, as well as release our calls for art for FIGMENT and calls for proposals for our summer-long projects in the next few weeks. But we do want to invite you to two special upcoming events...
 
First, our FIGMENT NYC 2012 Kickoff Meeting will take place on Tuesday, January 17, at 6:30p. If you've ever thought about getting more involved in FIGMENT as a team member, to help make FIGMENT happen, this is the meeting to come to. We'll introduce key FIGMENT NYC leaders and discuss all of the different roles on our volunteer team that we're looking to fill this year. Key roles include important spots on our curatorial team, our communications team, and helping with production.
 
When: 
Tuesday, January 17, 6:30pmWhere: 
HERE, 145 Sixth Ave., NYC (enter on Dominick Street one block south of Spring)

RSVP: Email 
NYCkickoff@figmentproject.org 

Many thanks to our friends at HERE for hosting us!
 
Then, all are welcome to join us for our first FIGMENT NYC Meet and Greet of 2012! This is a very loose, informal social gathering, where you can meet FIGMENT Team Members and Artists, get to know more about FIGMENT, and see how you fit in to what's happening with FIGMENT in NYC! FIGMENT is all about people, and we have to get to know each other better if we're going to make amazing things happen this summer! So please join us!
 
When: 
Tuesday, January 31, 7-10pmWhere: 
Central Bar, 109 East 9th Street (between 3rd and 4th Aves.), NYC - in the upstairs room

RSVP: Email 
NYCMeetandGreet@figmentproject.org

Thursday
Jan052012

Official Call for Entries/Presenters for Low Lives: Occupy!

Low Lives: Occupy!
INTERNATIONAL CALL FOR ARTISTS AND PRESENTERS

LLO_logo_small

Event Date: 3 March 2012
Deadline for proposals: 6 February 2012
www.lowlives.net
lowlivesoccupy@gmail.comThis e-mail address is being protected from spambots. You need JavaScript enabled to view it

Low Lives launches new program in partnership with Occupy With Art and The Hemispheric Institute of Performance and Politics.

On March 3rd, 2012, Low Lives: Occupy! an international platform designed to enable artists, audiences, and presenters in alliance with the Occupy movement to support the occupation, will transmit live performances, actions, and happenings online as they occur in real time around the world. Participating artists, artist collectives, Occupy groups, and presenters worldwide will expand the reach and visibility of the Occupy protests by broadcasting to an international community and audiences. The Occupy protests, and the myriad of perspectives and experiences related to this unique moment, will be amplified, explored, and experimented with, through Low Lives’ internet-based creative platform. Low Lives: Occupy! recognizes the powerful opportunity that is the presentation of performances from around the world, and invites artists to open eyes and minds by presenting a radical re-imagining of possible ways of existing and relating.

Over the past 4 years Low Lives has developed a platform that invites and enables artists, audiences, and presenting venues to "plug in and participate" from anywhere an internet connection exists. This technological platform brings a history of supporting artists’ full creative freedom to imagine new worlds and is now offered to artists interested to present work in solidarity with #OWS. Online documentation of the live event will allow Low Lives: Occupy! to inspire online audiences far into the future.

Click to read more ...

Thursday
Jan052012

Clarification

https://twimg0-a.akamaihd.net/profile_images/1571126371/Aa1uVwuCIAAQY8r_1_.jpg

This isn't our Twitter, but @occupywithart does a great job tweeting "art from and for the 99%," too! Click on the logo/image to visit their feed.

Thursday
Jan052012

So COOL!

Here is a recent occupy art project. It takes two forms: a letterpress printed multiple, and an animation.
http://preneo.org/occupy


thanks for all,

nanette

Thursday
Jan052012

New Video from Liza Bear

Here's some OWS street theatre
of the absurd to start off the New Year,
which I trust will be an excellent one
for you.

Feliz Año Nuevo

Liza Béar


aka Squaring Off

Wednesday
Jan042012

OWS events at the Invisible Dog in Brooklyn - Jan 5 to Jan 11, 2012

I want to invite you to a very exciting action at the Invisible Dog
Art Space (51 Bergen St. in Brooklyn). It will be for 7 days, from
January 5th until January 11th. Here's the deal:

Steve Valk, a choreographer and activist from Occupy Frankfurt was
invited to organize a series of performances as part of the PS122 Coil
Festival. He thought it would be a great opportunity to "Occupy" a
performance space, and approached a few of us from Arts and Culture in
early December about a collaboration. Steve is excited about having a
dialogue with with OWS artists, writers, and activists of all kinds,
and a group of about six of us from OWS have collaborated with Steve
to prepare this event. So far, it's looking mighty good.

Click to read more ...

Wednesday
Jan042012

Stephen O'Byrne's Occupy New Year's Eve Photos

Images from the OWS New Years Eve party. The beauty of the whole night was that while hundreds of thousands of people were willingly corralling themselves into police pens and enslaving themselves uptown, a couple thousand people downtown decided to take down those same pens and be free on New Years.

Stephen O'Byrne Photography.

Follow on Twitter @SOByrne4

Click the image to view the gallery in the OwA Photos section.

Monday
Jan022012

Occupy: New Year's Revolution 2012!

Paul Talbot [OwA Occupeyes] V-blogs the events of New Year's Eve at Liberty Square HERE.

New Years eve in Zuccotti Park (turned out) to be a pretty amazing evening filled with suspense, drama and the NYPD doing what the NYPD does best: over-control everything and create mass hysteria. #Occupy2012 came in with a blast!

Check out the amazing projections ringing in 2012!

Sunday
Jan012012

New for 2012: OwA Suggestion Box!

CLICK ON THE IMAGE TO MAKE YOUR 99% SUGGESTION!

Topic 1: "Occupy 2012"

Suggestions? Predictions? Directions? Projections?

Saturday
Dec312011

Happy New Year 2012, from OwA!

Friday
Dec302011

ArtistBloc

 


 

We are artists and art workers of the 99%. We are struggling to survive and sustain our creative practice in an economy that does not value us as workers, that privatizes cultural institutions and that continuously defunds art programs—from public education to government grants. We are the workers of the 99% because we are scattered, divided by the competitive nature of capitalism – a systems we did not consent to. Most of us are in debt from privately owned art institutions which churn out hundreds of professionally trained (but ultimately unprepared for the economic disillusionment of the art world) cultural workers. The same issues of bancrupcy, the average poverty, lack of employment and of government funding affect us. It is time to join hands with working class people everywhere, to BE the movement and to envision a better world for all of us.

 

 

ArtistBloc



Friday
Dec302011

OccuPistols US Cover

bullock(s): 1. a castrated bull 2. testicles 3. nonsense

[From Adrian]

Friday
Dec302011

The Festival of Reason, the art of Common Sense

Graphic by Paul McLean

[NOTE: The following supporting text is the second part of a two-part essay by Chris Moylan for the OwA collab "CO-OP|occuburbs," slated for 2012 in Huntington, NY]; in this project we will be envisioning alternate art economies, inspired by the co-operative food and farm networks. Our point of origination as locus is the suburban (American) community, although we hope the applications can extend beyond that start-point.]

The Festival of Reason, the art of Common Sense

By Christopher Moylan

Plans are underway for an Occupy arts festival in the suburbs: Occufest in the Occuburbs. The initial contacts with different cultural organizations have been promising. People are enthusiastic; there are promises of space and other resources. Over and again, however, certain questions arise; what is this—the festival and Occupy Wall street-- about? What is the connection between Occupy Wall Street and the arts? What point would a festival make? What would it do?

One response is to turn such questions back on the person asking them; what does the Occupy movement mean to you? What kind of connection would you like to see between the arts and the Occupy movement? What point would you want such a festival to make? That kind of exchange tends to go only so far. People are asking for information and background, not for a daily dose of empowerment. To be fair, however, the Occupy movement has received a good deal of publicity and news attention; one would expect that most people would be familiar with the movement and what it is attempting to do. The discussion, then, probably has more to do with expectations based on personal history rather than with social policy or aesthetics.

 The subtext of such questions seems to be something like this; my experience with politics has been disillusioning, will this be any different? And, my experience with art --as in paintings, sculpture, installations, art in galleries--has been disappointing, and puzzling so will this be any better?

By way of attempting a constructive answer, one consistent with an inclusive Occupy spirit, the questions can be reframed to emphasize the central position of the .99 in everything that the movement does and attempts to do.

So, preliminary to discussing what an Occufest might be like, one might ask what does cultural democracy look like? Under what conditions might art for the .99 emerge, and how would we recognize such work if we saw it?

Click to read more ...